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My Videos
Beethoven 5 First Movement Achim Holub conducts a performance of Beethoven's Symphony No. 5 with Kammerphilharmonie Graz, an orchestra specialized in historically informed performances of 18th and 19th century music (with natural horns and trumpets) | Mozart SinfonÃa nº 41 Jupiter - VPO Bohm (1 de 4) Mozart Symphony no. 41 K. 551 "Jupiter" I. Allegro Vivace Wiener Philharmoniker - Karl Bohm |
Mozart Symphony 41 K 551 - Molto Allegro Woody Allen once said that Mozart's Symphony 41 proved the existence of God. Certainly, a symphony of such grandness and scale had, until the summer of 1788, never before been seen in the musical universe. Its implications for the direction of music in the future, and its influence on future composers is immeasurable. What makes Mozart's Jupiter symphony worthy to share the name of the most powerful god of the Roman world? The answer to this question comes in the Molto Allegro, and more specifically in its coda, (8:09-8:36). In the coda, Mozart takes the five musical themes or melodies that had been developed throughout the final movement, and does something that no one has ever achieved to the extent that he did, not even the illustrious Beethoven. What Mozart does is take these five themes and combines them to create a fugato in five-part counterpoint. That is, he takes the five melodies and simultaneously plays them in a variety of combinations and permutations. Imagine five separate melodies, all with their own notes, being played simultaneously, but each constantly changing. It's impossible for the human ear to focus on the enormous amount of notes that this simultaneous playing and constant changing entails. The effect is that the music seems to encompass an infinite amount of sound. With lesser two or three-part fugues, it is occasionally possible to sense everything that is going on. Once you get to four voices, it's nearly impossible to detect all of the nuances of the melodies. With five, well, only God could completely grasp its profundity. This is Jeffrey Tate and the English Chamber Orchestra performing the Molto Allegro of Mozart's Symphony 41 in C Major. A far greater introduction to this piece than I provide can be found at NPR's website, if you follow this link: http://www.npr.org/templates/story/story.php?storyId=5173337 In the audio clip, you will get the chance to hear the five melodies that Mozart used in the coda individually. | The music of Brahms Classical music for your day. After a while off, another video for you. Although known for his popular symphonies and chamber music, Brahms' music for solo piano has some real interesting and wonderful character. In 1892 the three op. 117 Intermezzos were both composed and published; Quite a lot in a short amount of time. From those three Intermezzos, here's the start with the first Andante: Johannes Brahms: (1833-1897) Andante moderato in E flat major - 5:14 performed by: Julius Katchen label: Decca / London |
Schumann: Cello Concerto (part 2) Pierre Fournier plays Robert Schumann's Cello Concerto Op. 129 with the ORTF National Orchestra led by Jean Martinon. | Schumann: Cello Concerto (part 1) Pierre Fournier plays Robert Schumann's Cello Concerto Op. 129 with the ORTF National Orchestra led by Jean Martinon. |
Haydn Cello Concerto Rostropovich 1981 Haydn Cello Concerto Rostropovich 1981 | Rostropovich plays the Prelude from Bach's Cello Suite No. 1 Mstislav Rostropovich plays the Prelude from Bach's Cello Suite No. 1 in G major, BWV 1007. Filmed at the Basilique Sainte Madeleine, Vézelay, Yvonne, France in 1991. |
HARMONICA,Chromatic classical music London ROYAL HALL philip Classical Harmonica player Philip Achille wows the classical crowd playing this instrument, a future jazz harmoncia legend. This video of champion Achille was viewed on television from the ROYAL ALBERT HALL on BBC2 home of Classical Star. Philip still has lessons (tutorials) taught by Jim Hughes a harmonica legend as a session musician and in the school of players like, tommy Rielly, shellist, Douglas Tate, Larry Adler and Stevie Wonder.HARMONICA, BLUES, Chromatic Harmonica ,Classical Harmonica, Jazz, Harmonica Artist, British Film music, Achille Philip, BBC 2 2007 Proms London Larry Adler, The harmonica playing was accompanied by a full orchestra. Philip Achille (based in London) has experience playing the chromatic harmonica (mouth organ) in many music genres, Jazz Classical Blues and Irish. Philip Achille National Harmonica League nhl festival classical mundharmonika mouth organ player Asia Pacific LD Miller Stevie Wonder Toots Thielemans jazz Lee Oskar blues harp Shellist Tommy Reilly |
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